"Let's cut to the chase. If you have seen Kahaani, you will find Nee Enge En Anbe underwhelming. That Sekhar Kammula is not interested in a frame-by-frame remake of Sujoy Ghosh's film and wants to stamp his fingerprints over this film is established the moment he introduces his heroine. Unlike Vidya Bagchi in Kahaani, Anamika, here, is not a pregnant woman to instantly earn our empathy and trust; she is an ordinary young woman who claims to have come from the US to India (Hyderabad, in particular) in search of her missing husband, Ajay Swaminathan. It shows that the director isn't worried about putting himself in a tighter spot and is willing to do his share of heavy lifting. In fact, he effectively shows how such a young woman could also be vulnerable — one cop wants her to share his bed in exchange for information on her husband, while another berates her and blames her after noticing that she has failed to button up her top.